Jul 042012
 

While a not-so-small army of police officers barred members of the 2012 Occupy National Gathering in Philadelphia from crossing a street to enter a free, public concert, Occupy Detroit live-streamer Diara Lo caught this unusual discussion. In it, a Philadelphia police liaison and several articulate Occupy members, some from New York, engage in a thoughtful, wide-ranging conversation about the interactions between police and the Occupy movement since its birth in September 2011.

Shes save the impromptu, hour-long in discussion in the two videos below on July 3, 2012.

                 

Jul 042012
 

When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you – pull your beard, flick your face – to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor.  John Lennon

Rule 7: A tactic that drags on too long becomes a drag. Don’t become old news. (Even radical activists get bored. So to keep them excited and involved, organizers are constantly coming up with new tactics.) Saul Alinsky

Why is the Occupy National Gathering ending up like every large Occupy protest seems to? The Philadelphia gathering wasn’t meant to be yet another loud, live-streamed struggle with police, especially in a city filling up with families for the Fourth of July. It was supposed to be what the Associated Press respectfully calls a national conference.

If Occupy is fighting for the 99%, why are we alienating them? The public is tired of what they see as useless, bothersome battles. We can no longer assume that negative coverage is merely a flaw in mainstream media, nor that only trolls make negative comments on the web. We’re losing hearts and minds, not winning them. In Philadelphia, people who brought their children to see historic places like Independence Hall — and eat genuine Philly cheese steaks and soft pretzels — are already miserable from the extreme heat.

Photo by Terry Hall

They don’t want to see massed police. The city and federal governments prepared for the national gathering by providing enough of them to make Philadelphia look like a police state, with highly visible officers and vehicles from numerous agencies including the Philadelphia police department, Homeland Security, the United States Park Police, and the U.S. Marshals Service. The Philly PD is the fourth largest in the nation. They prepared so heavily because, in a vicious circle, we’ve taught them to. 

The militarized police presence is ironic. It shows a heavy-handed intention to control and restrict real people’s freedom of assembly and speech. Meanwhile, so-called corporate people are allowed unlimited use of what the Supreme Court calls their speech — money — to run our political system for their own benefit. The founding fathers would be appalled.

On the first day of the June 30-July 4 gathering, Philadelphia police pushed, shoved and clubbed protesters who refused to leave a section of 55-acre Independence National Historical Park. The protesters had already ignored police warnings not to set up camp there in the first place. During the short time that police blockaded entry into park, protesters yelled insults in their faces. Some made every effort to incite violence.

Police officers,civilian employees, and their families are all part of the 99%. During a “mic check” session, most protesters kept that in mind, but some simply shouted “fuck the police.” Maybe anger and desperation are driving them over the edge, where they lose the ability to reason in the violence of the moment. Treating working-class police like surrogates for the 1% isn’t the same as having an impact on the 1%. It’s letting the 1% goad us into reactions that justify theirs.

Photo by Terry Hall

On the fourth day, police deployed a small army to bar Occupy members from a free, public concert. But at the same time, a police representative shared a long, thoughtful discussion about the interaction between police and protesters with several articulate Occupiers. When someone started shouting and swearing at him, others agreed the behavior was an unwelcome and nonconstructive interruption and went back to the discussion. In other words, there are other ways. 

For those within Occupy who believe in using the vote, this could have been golden. It was an opportunity to send a message about making change in the place and at the time where people would be most receptive. The city’s drenched in democratic history. The First and Second Continental Congress met there in 1774 and 1775; they wrote and adopted the U.S. Constitution there, in a blazing summer very much like this one. The iconic Liberty Bell is there. 

The Occupy National Gathering might have been its own tourist attraction, something people enjoyed seeing, started thinking about, pointed to in their photos later. Activists from different Occupies involved in the same causes might have met under legible signs that people outside the movement could understand and identify with, like “Foreclosure-Eviction Defense” or “Voter-suppression Defense.”  

But it would take a different kind of tactic first, one that leads to permits and planning instead of riot police. What about silent protests with loud signs? An Occupy protest force to keep provocateurs physically away from police? More quick, creative actions and fewer same-old marches? Drawing some attention to what we’re doing — restoring abandoned houses, turning vacant city lots into small-scale farms, fighting off banks that foreclose unfairly and wrongly — instead of what we’re against?

The national gathering’s supposed to include “direct actions, movement-building, and the creation of a vision for a democratic future,” according to its agenda. This country needs a great deal of economic and political change, but it’s not Hosni Mubarak’s Egypt. Violence isn’t a solution. What is?

The late Saul Alinsky, best known for his book Rules for Radicals, wrote about “means and ends.” He said it takes both to effect change. He also wrote:

Rule 10: The price of a successful attack is a constructive alternative. Avoid being trapped by an opponent or an interviewers who says, “Okay, what would you do?”

The Occupy movement can choose from an arsenal of means. We’ve made more people aware of income inequality and the concept of the 99% versus the 1%. On the air, we sometimes hear the word “occupy” used to signify any non-Tea Party protest or movement. But the ideas are getting overshadowed by the predictable and distracting clashes with police, and people aren’t seeing any clear results. Corporations keep getting away with defrauding the public outrageously. Poor people keep getting poorer. Rich people keep getting richer.

It’s time to create that vision for a democratic future. It can’t wait. What is the Occupy movement striving for? Anarchy? Marxism? Zeitgeist? Is the answer a combination of the best features of all these economic systems, or simply better regulation of capitalism? Asking and answering these questions will lead to a list of ends that Occupy must accomplish to end what it despises. Without them, internal confusion will dissolve the movement.

Jun 012012
 

The soundtrack for the Occupy movement includes Michael Moore singing Bob Dylan’s The Times They Are A-Changin’ (not bad, actually). In fact, Occupy This Album: A compilation of music by, for, and inspired by the Occupy Wall Street movement and the 99%” spans the musical spectrum: ’60s folk music, indie rock, electronica, and hip-hop. 

Among the musicians who contributed the collection’s 99 songs are Ani DiFranco, Debbie Harry, Thievery Corporation, The Guthrie Family, Jackson Browne, Loudon Wainwright III, Girls Against Boys, Yo La Tengo, and Yoko Ono. David Crosby and Graham Nash team up; so do James McMurtry, Joan Baez, and Steve Earle with the strong and very current We Can’t Make it Here Anymore.

It opens with Something’s Got to Give by singer-songwriter Matt Pless. Three days after Occupy Wall Street moved into Zuccotti Park, album producer Jason Samel met Pless, who was playing guitar and harmonica.

Samel says that Pless inspired him to start asking other musicians to appear on an Occupy album. He created the Music For Occupy record label; its success in recruiting musicians far surpassed his initial vision of a showcase for little-known artists. Originally planned for completion late this year, Occupy This Album went on sale in mid-May.

Listen to a few tracks, including Something’s Got to Give.

“Occupy This Album” comes in two 99-song, downloadable digital versions; a third option, a physical 4-CD, set contains 78 songs. All three cost $9.99; proceeds from all sales go to supporting the Occupy movement. Add a Restoring Your Voice Through Music T-shirt to your order and get both for $20.


May 052012
 

Mike Shallal, leading the way on the first day. Photo by Terry Hall

It was October 14, 2011. The Occupy Wall Street movement was growing and starting to capture attention. I was inspired by the mainstream media coverage: finally, people standing up to the unrestrained greed of Wall Street. I started following the news stories, and I learned about the birth of the Occupy Detroit movement on Facebook. I knew that the public outrage over the greed of the 1% wasn’t going to reach a dead end at Wall Street. It was headed for Woodward Avenue as well.

The opportunity to photograph the first march from Hart Plaza to Grand Circus Park was compelling, but that’s not why I decided to go. As a child, I’d watched protests on my parents’ black and white TV, but I wasn’t old enough to comprehend their meaning. As I grew up, I watched the fall of the middle class even as I struggled to “do better than my parents.” I experienced the devastating effects of so-called “trickle down” economics, recession, underemployment, and reduced access to health care coverage — to name just a few. Corporations were getting richer; I was getting poorer.

So I rushed home from work to meet my fiancé, and we were quickly off to downtown Detroit. I was excited as we walked from the parking lot up to Hart Plaza,  and even more so when I saw masses of people carrying protest signs and shouting loudly.

I began taking photos of police, people, protestors, and the messages emblazoned across protest signs. As the crowd formed to prepare for the march to Grand Circus Park, a young man with a megaphone began leading chants. I put the camera to my eye and zoomed in to frame the moment. The megaphone came up to his face. He shouted into the grey horn and threw a fist of rebellion into the air. Click, I hit the shutter, but I didn’t think much about it.

When I finally got home, I quickly uploaded the photos onto my computer. I noticed the shot of the young man with the megaphone, and I immediately went to it. I made a few adjustments and converted it to black and white. A few more minor tweaks, and there it was, the photo that, for me, captured the call to the 99%. Ever since, I’ve been photographing the Occupy Detroit movement and constantly learning how to hone my skills as a photojournalist.

On the days that I’m not so happy with my work, I look at this photograph. I’m sure it’s not going to win a Pulitzer Prize, but it’s Pulitzer material to me.

If photography, writing or video has captured your attention as a result of the Occupy movement, the Occupied Detroit Free Press is for you. Please share your passion in this forum of free expression.

Peace,

Terry F. Hall
Citizen Photojournalist for the 99%